Defense
Department domain application. That was the pivotal point for me. I
decided then that I was going to focus my time and energy in the nascent
and emerging field of computer animation.
That
was a different thing back then, right?
Yea. I
remember a guy showing a slide of a wire frame model of a cube, and
thinking, “This is amazing.” It ultimately led me to a place at MIT called
the Center for Advanced Visual Studies (CAVS). I then became a CAVS
research fellow at MIT. The purpose of CAVS was to bring artists,
scientists and engineers together in a collaborative environment to see
what would happen. After that, I wanted to continue working in computer
animation, so I left Boston and went to New York City and was fortunate
enough to get a job at the only place doing that kind of stuff, Dolphin
Productions, the first commercial computer animation facility in the U.S.
What
brought you back to Pittsburgh?
By the
mid-eighties, New York had actually become a really dark city. There were
homeless people everywhere to the point where you’d literally have to step
over them. All the excess and the economic decline really caught up with
the city and it became really depressing. My wife-to-be and I decided that
it was time to leave and try another city. We returned to Pittsburgh and
started a company called Electronic Images on the South Side.
How
did you hook-up with USWeb?
They
first hit my radar in mid-1996 when I saw an advertisement in a trade
magazine. Later that year Joe Stafura, my partner at the time, made
contact with their business development guy. In January of 1997, we
visited their Silicon Valley office to see what they were about. Their
vision was to be the first company to build a national network of Internet
professional services firms. If your company met their criteria, you could
buy a franchise from them for $50,000.
But
you weren’t really interested in buying in?
I was
really looking for a strategic investment partner, not just the idea of
paying someone to hang a logo on our door. But I knew that if they saw our
operation first-hand, took our skills and applied them to their business
model, that we’d become an asset. When we finished our presentation to
USWeb’s Joe Firmage in our offices a week later, he became very excited
about our capabilities, so much so that he started clapping wildly and
enthusiastically. Instead of telling him we were going to become a
franchisee though, I essentially asked him to invest $3 million in our
company. He settled down quickly and in a very intense style and serious
tone of voice told us that we’d caught him at a good time. His board had
just voted to switch the business model from a franchise plan to an
acquisition plan. Essentially he told us that USWeb was beginning an
aggressive acquisition program to quickly scale their business in
preparation for an IPO. We began formal discussions that evening at my
family restaurant on the South Side (Café Allegro), and closed the deal
six months later on July 1, 2000. It was the largest Internet deal in
Pittsburgh at the time, valued at over $65 million. But it was an
all-stock transaction.
So it
was a huge risk, wasn’t it?
Yes and
no. We made the deal on the assumption that USWeb was eventually going to
go public and the stock would turn into real money…someday. And because it
was pre-IPO, the valuation was very high. That helped attenuate the risk.
On December 5, 1997, USWeb completed a successful IPO. We got in at
exactly the right time. The Internet exploded soon thereafter.
What’s your new focus at Merging Media?
Our core
focus now at Merging Media is really exciting. We’re in the process of
developing a music education product with a gentleman who has invented a
very unique music learning methodology. He presents music theory in a way
that allows anyone to truly learn how to understand AND play music
(particularly the piano and guitar) in a really short period of time. We
believe we have something that can be quite broad if we execute our vision
appropriately. We’re repackaging this system into a comprehensive
multimedia DVD series, and we’ll deliver this product to the world through
a direct-response marketing channel…Merging Media is both a business and
an artistic experiment. There are things we do for love and things we do
for money. We’re trying to converge the two.